## Uriah Reference Materials ### Most Important Professional Achievements My most important professional achievement is that I have sustained a serious and productive research career across a long period of postdoctoral employment, while developing a coherent profile of my own. Since my PhD I have published single-authored work in venues including *Australasian Journal of Philosophy*, *Philosophical Studies*, and *Thought*, and my more recent work has moved into aesthetics and philosophy of technology, with publications in *Philosophical Quarterly* and forthcoming work in *Ergo*. I have held research positions at Milan and Genova, and my current Genova contract on the ERC-funded PEA project was extended following positive evaluation. Alongside this, I have developed and taught a master’s-level Philosophy of Technology course and built an active research programme on agency, artefacts, and generative AI. ### Most Important Philosophical Ideas The three philosophical ideas I would most want to be associated with are these. First, in my work with Enrico Terrone on generative AI, especially "Growing the Image," I developed the idea that generative AI systems are not a type of agent, or even a type of tool, but a form of *dynamic media*. its products are cultivated through interaction with a partly autonomous process. Second, in "Agents of Change," I argued that agentive phenomenology is tied to temporal experience. This is unusual because temporal experience is more often discussed through perceptual experience; my claim was that some experiences of acting involve experiencing oneself as the source of a change unfolding through time. Third, in my PhD dissertation and early work on auditory perception, I argued that we do not hear sounds. Debates in auditory perception often ask whether sounds are properties of objects, events, or particulars of some other kind, such as sound waves or vibration events. My view was that this dispute starts in the wrong place: sound does not pick out anything theoretically useful or phenomenologically central in auditory experience.