# APPRECIATION AND THE NATURAL ENVIRONMENT **Opening (not a real abstract):** The appreciation of art With art objects there is a straightforward sense in which we know both what and how to aesthetically appreciate. We know what to appreciate in that, first, we can distinguish a work and its parts from that which is not it nor a part of it. And, second, we can distinguish its aesthetically relevant aspects from its aspects without such relevance. We know that we are to appreciate the sound of the piano in the concert hall and not the coughing that interrupts it; we know that we are to appreciate that a painting is graceful, but not that it happens to hang in the Louvre. In a similar vein, we know how to appreciate in that we know what “acts of aspection” to perform concerning different works. Paul Ziff says: …to contemplate a painting is to perform one act of aspection; to scan it is to **Authors:** [[carlson]]