# Anonymized **Keywords:** aura, atmosphere, experience Gerold Böhme (2017) understands the atmosphere as a fundamental concept of a new aesthetics, that goes beyond our tendency for aesthetic judgment, beyond our tendency to evaluate aesthetic phenomena. The notion itself, and it´s implication is non-normative, what opens the possibility for its application (identification) in different areas of the aesthetic and intense rethinking of the concept as such. The notion of atmosphere “implies a certain affective quality of ( **Opening (not a real abstract):** Dialectic of Time and Space in the Concept of Aura and Atmosphere Gerold Böhme (2017) understands the atmosphere as a fundamental concept of a new aesthetics, that goes beyond our tendency for aesthetic judgment, beyond our tendency to evaluate aesthetic phenomena. The notion itself, and it´s implication is non-normative, what opens the possibility for its application (identification) in different areas of the aesthetic and intense rethinking of the concept as such. The notion of atmosphere “implies a certain affective quality of (lived and non-geometrical) space” (Griffero & Tedeschini 2019, p. 2), and is often understood as an “emotional space that involves one’s body” (see Shusterman 2019). This emotional space is more about our feelings than about some physical properties of aesthetic phenomena, even if these properties and different aspects create the conditions for the